September in Toronto

Film By Millefiore Clarkes

When I realized that my cousin’s wedding in Toronto was taking place in the month of September – I knew I had to make a companion piece to the earlier work ‘December in Toronto’.  The titles just complement each other so well.

This time I journeyed with my partner Daniel. This is Toronto, in September, through the lens of one wandering gaze.

Music by the incomparable Roger Carter rogercarter.bandcamp.com

City Nights

A short chronicle -  by Will Beckett, and featured on the new site  Arts on PEI – of the semi-monthly City Nights events hosted by Charlottetown, PEI artist-run organization This Town is Small.

Vote. Everything Matters

Film by Mille Clarkes

This video is made by one Canadian citizen to implore all Canadians to participate in their democracy.

voteeverythingmatters.wordpress.com

May 2nd is a big day for Canada; our federal election day. We can beat our poor voter turn out from the last election. We can build a country that reflects our values. Values of strong social services, multiculturalism, healthcare, environmental stewardship, cultural and artistic legacy. We can care about all these issues while maintaining a robust economy.

On April 16th the citizens of the province of PEI held a “Vote. Everything Matters Rally” in the capital, Charlottetown. Over 200 people showed up to share their passion for democratic involvement.

There were a host of musicians out to join in for a ‘sing for democracy’ including Todd MacLean, John Connolly, Teresa Doyle, Meghan Blanchard, and Carmel Mikol.

Poet Tanya Davis spoke words to move a nation.

Other poignant speakers included Conor Leggott; a UPEI student and one of Canada’s concerned youth; Teresa Doyle, acclaimed musician and advocate for the Arts; as well as Jack McAndrew on behalf of the Friends of the CBC; Irene Novaczek Director of Island Studies Department of UPEI; and Mary Boyle of the PEI Health Coalition.

We’re going to be OK. This country is full of rational, caring, passionate people.

city nights experienced

 

written by Gail Hodder

So, here we are, all friends, at our local watering hole; The Al!bi Lounge. Five visual artist hovering at the beginning of the evening. Excited with the anticipation of the night to come. In the next several hours we will not only get to talk about our artwork, but people will witness the process and the craziness that partakes to achieve the end result.

A shot of tequila is decided on. Celebratory and calming. We set up our easels, our paints and other relative flotsam. Computer and projector, wire and tools, plasticine and palettes. Each of us thinking of something clever to work on and claiming our space at the Lounge. The dance floor is a consideration. There must be room for dancing!

We begin our artmaking. Some more hesitant then others.  Showing our art in public is normalcy, creating in public, not so much. But our audience is interested and approach with inquiries. As I make inquires back, I find out that most are art enthusiasts themselves, interested in learning more. Questions of materials, sources, schools, techniques. Others ask familiar skeptical questions, “What is it?”, “Why?” Our answers are practiced. We make them feel at ease with their skepticism.

The night ensues with more wine and more audience and our artwork takes shape. We slip into a comfortable rhythm of greeting our friends and acquaintances who have come out to encourage us. We pause to explain or chat. We own this place for the evening. We have become the performers.

Dancing breaks out as the DJ continues to spin his techno, hip hop, funk. The beat and energy is contagious. It’s getting late now. Our energy doesn’t waiver, but is only heightened. When the lights come on and the end is threatening, we drop our art making implements and join the dancers. They seem surprised, but we are well on our way to catching the groove and we blend in, in an arm flailing, hips swaying, belting out the words celebratory dance. Wahoo’s all around when the music stops.

We discuss when we might perform our art-making again.

We leave exhilarated wanting more and more and all the time.

Wishing the night not to end.

 

*** check out what city nights is all about here! Don’t forget to sign up for our next event by April 10th!

small town sessions online

two songs.one take.

a new session every wednesday

watch them here

“Small Town Sessions is a project aimed
to celebrate the incredible artistic
energy that is fostered by a small place,
like Charlottetown. It isn’t always natural
talent that creates
wonderful artwork but the community
and environment that nurtures it,”
-Becka Viau

for more info visit here

this town is small would like to acknowledge the support of:  
PEI Community Cultural Partnership Program   of the Tourism,
Culture and Libraries Division of the P.E.I. Government, 
and the Island Media Arts Coop for their support towards this project.

Music Therapy – A wonderful way to change lives…

written by Shona Pottinger

When approached by this town is small to write up a little ditty about music therapy, I was excited and nervous at the same time. I get the question “What is music therapy?” all the time – yet still don’t feel I have a great answer for people.

Unfortunately for me, it is a profession that is difficult to explain with words or a written definition. It is much easier to explain when you witness it.

That being said, I will start with the old stand-by definition found on the Canadian Association of Music Therapy’s website:

“Music therapy is the skillful use of music and musical elements by an accredited music therapist to promote, maintain, and restore mental, physical, emotional, and spiritual health. Music has nonverbal, creative, structural, and emotional qualities. These are used in the therapeutic relationship to facilitate contact, interaction, self-awareness, learning, self-expression, communication, and personal development.”

Say what?? I know. You begin to get a vague idea about what it is in a verbal definition. Most people, after hearing my short form definition, say something along the lines of “Yeah, music does make you feel good!” or “That makes sense…music is great for everyone. But what do you actually do?”

Hopefully I can shed a little light by sharing why I chose this fairly unknown profession to start with. It happened when I was trying to decide where to go after high school. Initially, I wanted to be a veterinarian as I have a great love of animals and hate seeing them suffer. However, that idea was shot down very quickly once I realized just how much I disliked science and how I did not do well in those courses.

To make a longer story shorter, I felt that I somehow had to use my talent in music throughout my life. Having been taught music from the ripe age of 4, I had a strong bond of love and respect for all things musical. This led me to discover music therapy at the suggestion of my piano teacher. She had heard tidbits on the profession over the years, and knowing my caring and helpful personality, suggested I do a little research.

Wow. What a beautiful way to be able to help people! Not only do I use my creative art form of music in my work, but it actually helps people. Imagine.

My client base ranges from special needs (autism, cerebral palsy, Downs Syndrome, etc.) to dementia, depression, anxiety, traumatic brain injury, pregnant youth, and troubled youth. These are not the limits of music therapy. There are many other venues that music therapy can be used with, but these are the few that I currently work in.

With each client, what I do with music varies. The best I feel I can explain it to you is to use a specific example.

With dementia or Alzheimer’s patients, the need of music is great as music is apparently the final “language” humans tend to lose the ability of in the brain. Many patients become non-verbal as the disease progresses. However, I have come across clients that, although being non-verbal in daily conversation, will start to sing when a song they can still recall is presented during therapy. Pretty cool, eh? I cried the first time this happened.

I hope this sheds a light for you, the reader, on the small but growing field of music therapy. And why I do what I do. All because I am able to improve lives with music.

Charlottetown = Cultural Captial of Canada

Written By Becka Viau

Get ready PEI, Charlottetown is one of Canada’s Cultural Capitals for 2011!

The  scope of this designation was announced today, and I have to say there is a lot happening in a very short amount of time.  The Cultural Capital program will kick off during the ECMA awards and conference week in April and artists, organizers, and community partners will be busy busy busy until January 2012.

Some exciting highlights that were announced this morning are:

1. Cultural Captial Launch – A Sound Celebration

The East Coast Music Association (ECMA) in partnership with the City
of Charlottetown – a designated Cultural Capital of Canada – Symphony Nova Scotia, and Music PEI will
present ‘A Sound Celebration’ to officially kick-off East Coast Music Week 2011 and formally launch the
2011 Cultural Capital of Canada programming.

‘A Sound Celebration’ will feature solo and collaborative performances by Symphony Nova Scotia under
Music Director Bernhard Gueller and Resident Conductor Martin MacDonald, and Prince Edward Island
artists Jenn Grant, Meaghan Blanchard, Paper Lions, Richard Wood and Vishtèn.

The concert will take place in the Confederation Centre of the Arts’ Homburg Theatre on Thursday, April 14
at 8:00pm. Tickets are available for purchase at the Confederation Centre’s box office or online at
www.confederationcentre.com. A limited amount is also available via ticketpro.ca.

***  a great part of this initiative is that the artists working with Symphony Nova Scotia will have charts of their music developed that can translate to other symphonies around the world.

2. ECMA Arts Linkages Program -Art @ Night - Supported by the Cultural Capital Designation,  and IMAC

This program will showcase artwork by local and Maritime multi-media artists in vacant storefront windows
around downtown Charlottetown during evening hours. Local and Maritime multimedia artworks will be
presented for free to the public in various storefront windows. To view the call for submissions please visit here.

3. Pen & Inkling Festival and other Literary Events
Coordinated by the Prince Edward Island Writers’ Guild, a series of events and initiatives celebrating and
supporting literary arts in the Cultural Capital: Introduction of French student submissions accepted for the
Island Literary Awards; an extensive Writers in Schools program connecting published Island authors with
students in the two Charlottetown families of schools (30 school visits); and a compelling Literary event,
the Pen & Inkling Festival, featuring workshops, readings, the Island Literary Awards, songwriters’ circle,
lectures, book launches, exhibits, and guest reading and lecture by one of Canada’s leading Native authors.
(September 30 – October 2, 2011)

4. Film & Interactive Digital Media Productions – “Through my Eyes” Legacy Series
In partnership with the Island Media Arts Co-op, the Island Film Factory and the Interactive Media Alliance,
the City’s Cultural Capital of Canada programming will support production of five new short film and
interactive digital media works from local creators, featuring the designation theme and reflecting
Charlottetown. These works will become lasting documents of Charlottetown’s cultural identity and
creativity. The selected projects will be announced at the Island Media Arts Festival in May, and presented
at a special screening event in the fall – potentially as an opening or closing event to the Pen & Inkling
Festival.

5. Young Company!! – Confederation Centre

A brand new Young Company production, The Talking Stick, respectfully telling our First Peoples’ stories, using music, dance and spoken word to remind all people of the great diversity and surprising commonalities of our First Nations communities. Aboriginal and First Nations students from every province and territory are invited to audition for the twelve roles with the expectation that P.E.I. students will show great interest and pride in the production.

There is a lot more to take in… and you can find the full press release here in English and in  French!

This is a great opportunity to showcase the amazing cultural community in Charlottetown and to build sustainable partnerships and initiatives that will continue to benefit Island artists in the future. Exciting.

 

 

This Town is Small, Inc.

this town is small inc. 2010

*** this article can be found in the Spring Edition 2011 of Visual Art News magazine which can be purchased here.

by Mireille Eagan

Bureaucracy is one side of a two-sided coin, John A. MacDonald on one side, and from the other side of reality, what voice of poetic aspiration calls? This is the curse of the artist-run space.

-       AA Bronson, The Humiliation of the Bureaucrat

“Why have an artist-run centre? Because there isn’t one. There isn’t one here. It’s that simple,” states Becka Viau.  “Basically, as soon as we get our ‘boots,’ we’ll start walking around. We have to be strategic in our presentation. So far we’ve incorporated, created a business plan, developed a balanced board.  But, we need to learn business speak, need to be good at the game, or they’re not going to let us in easily.” She starts singing in a low voice while dancing: “and what do we haaave? The communitaaay. They’re our cape, and we are wearing the boots of our business plaaan.”

Becka is one of several artists, writers, and musicians that have come together under the moniker of this town is small, a collective that has made great strides toward bringing an artist-run centre to Prince Edward Island in only a year. Developing projects through collaboration between genres, this town is small has hosted several art and music events, runs a well-oiled blog with submissions of art and writing from the local community, and is now ready to begin creating sustainable partnerships with other local non-profits in the arts sector.  However, their goal long term is a space– a physical space for exhibitions, musical performances, studios, education.

The lack of an artist-run space is poignantly felt on Prince Edward Island. The Confederation Centre Art Gallery is the only institution that pays artist fees for the exhibition of work. Although they regularly incorporate local artists into programming, the payment for a solo show barely dents an artist’s living expenses.  In addition, the price and paperwork for getting one’s art off the island are often formidable. Lack of shows means one cannot readily apply for federal funds– a depressing circle. A properly funded artist-run centre would be in the position to provide artist fees, as well as provide an essential counterpoint of creative conversation with what the CCAG is able to offer.

Several attempts have been made on PEI to establish an artist-run centre, and each has had their particular difficulties. The first official centre, the Great George St. Gallery, closed down in the nineties despite an impressive history of exhibitions. With interest toward supporting their local artists, they increasingly operated like a commercial gallery and as a result lost their Canada Council funding. From 2000 to 2001, a social/drinking group of artists and writers called the Friday Artists ‘Round Town Somewhere (or FARTS) organised several shows in the Gallery at the Guild, received provincial money for programming, and were able to pay artist fees. However, with little sustainability in terms of staff,  the group’s efforts dissipated.

In the past few years several new collectives have appeared. Peake Street Studios is a modest but vibrant project based in the home of Donnalee Downe, one that regularly shows group exhibitions with work by members (and who recently organised an inter-provincial art exchange with its members, Gallery Connexion, and Eastern Edge Gallery called Out of Purgatory). Other examples of organised art spaces include Ampersand (a coffee bar, t-shirt shop, exhibition space, and hang out for the younger creative crowd) and the recent addition of MUSEartspace. None of these locations can or could pay artist fees, instead offering a more commercial presentation.

For this town is small, it’s going to be a long haul, with delicate balance at every intersection. Artist-run centres in Canada are supported through government grants at federal, provincial, and municipal levels, but money is difficult to obtain currently. For most funding bodies, a collective must have completed about three years of programming where they pay artist fees– not easy.

Yet, without a physical location and almost no funds, this town is small has managed to work with other venues on various projects. The most recent, “Iris Mercurial: The Passage of Night” at the Alibi Lounge, saw a substantial group of local artists donate their various talents to produce an evening of living sculptures, poetry, and video. Future plans include Small Town Sessions, with the online presentation of eight informal performances by local musicians be recorded in alternative venues such as rooftops, churches and living rooms. After that, there’s talk of organising a festival.

It’s a remarkable string of successes, raising questions of practicality and the benefits of being light on one’s feet: does this town is small actually need a physical space? Even as most artist-run centres move into their second and third decade of operation, the “problem” of space is continual. Some centres own their premises, some benefit from controlled rents in buildings provided by their city or province. Many are constantly moving at the will of their city’s real estate market. In the Maritimes, Gallery Connexion has obtained a location after a year of transience, their long term space lost after a major flood. Khyber ICA engages in an ongoing struggle to save their location in downtown Halifax. Eyelevel has had to move regularly due to rental costs.

These difficulties are not new, and as a result the notion of decentralised activity has always been in play. Mail Art is just one example that has regularly dotted the artist-run landscape as a lightweight method of sharing work across provincial and national boundaries. It is also common to find artist collectives that move spaces as provided, such as The Upstairs Apartment Gallery in Halifax, who began by conducting exhibitions in a bachelor apartment. With the sale of their regular building, the collective no longer has a fixed location, and moves to whatever location is offered by volunteers.

As mighty as it is, the future of this town is small critically depends on its ability to work with “boots” and “cape,” business and community. A permanent location would allow the collective to stabilize their operations, to provide support to its local community through promotion and education. However, its eventual form rests inextricably with that same local community. This has been the case with every artistic endeavour throughout the history of grassroots initiatives, because really, every town is small.

Mireille Eagan is a freelance curator and writer based in Fredericton, New Brunswick.

For more information on This Town is Small, please visit thistownissmall.wordpress.com

Visual Art New Editorial Policy:

Editorial Policy

Written in a clear and sophisticated style by some of the most talented arts writers in the province, Visual Arts News reflects the diversity of Nova Scotia’s geographic and cultural communities. The magazine is committed to providing balanced, engaging information about visual arts and artists in Nova Scotia. Our Editorial Committee is responsible for content selection, and the editor for assigning writers to each story. Although we are a non-profit organization supported in part by advertising, we recognize the importance of maintaining a clear separation between our independent editorial content and any advertising materials found in the magazine. Visual Arts News cannot guarantee editorial content or placement to advertisers.

Visual Arts News is the only magazine dedicated to contemporary visual art in Nova Scotia. Although our focus is mainly Nova Scotian art and artists, we also accept stories about Atlantic Canadian, national and international art events that we believe are of interest to our readership.

Prestige

untitled - Mikey Wasnidge

written by Becka Viau

Charlottetown was alive with music and celebration on Saturday January 22nd at the annual Music PEI Awards Gala. Although I am not a musician, I am an artist and when award time rounds the corner I generally find myself in many conversations about  the importance of an awards program to the career development of Artists. A lot of people understand awards as measurements of talent, when most often awards are actually presented for hard work, lots of work and the ability to work efficiently within the industry.

Talent is subjective, and learned. Sure some people seem to have a “natural” ability to grasp technical skill, or maybe have “an ear” or “an eye” for tone and composition, but I would still argue that in order for natural ability to become successful in the industry not only  does it have to be nurtured and believed in but it also has to be educated and conformed into the working world of the industry.

It is true that Awards augment artists’ funding applications, and a conference like Music PEI week can provide opportunity for selected artists to sell to delegates from across the country, but mostly Awards create prestige. … and if the actual function of the award is perceived by the public as a measure of talent not  an acknowledgment of industry success … I wonder what is the function of all this prestige?

I guess that is the question… what do awards do? Especially in a small place, besides develop the perception of a prestigious scene within the community and ignite some competition amongst local artists? How do the awards affect you? As an artist? As a patron? As the audience? As an Islander?

I ask these questions not because I don’t believe in awards.. as an artist I do enjoy and benefit from the development of the arts scene in Charlottetown. We do have a pretty cool place with a lot of hardworking artists and I definitely don’t mind if the rest of the country knows it. I am just curious.

A great read about the concepts of awards, prestige and industry: The Economy of Prestige, by James F. English. Click here for a book preview.

Congratulations to everyone who was involved, nominated, and awarded a Music PEI award last week. It was fun … hard work deserves a party filled with hugs and high fives.

this town is small presents: City Nights

Photo Credit: PJ Stephen – twitter.com/thepeej

City Nights is an ongoing program for members of this town is small. We welcome all artists, emerging and professional and will try to accommodate all mediums. No idea is too crazy for us to discuss!

If you are interested in playing music, modeling, or creating art at a City Nights event or becoming a member of this town is small please contact Becka at this.town.is.small@gmail.com

The night of Decemeber 16 marked the second presentation of City Nights @ the Alibi Lounge in downtown Charlottetown. City Nights is a small town program designed to showcase Island Artists while developing Charlottetown’s artistic nightlife and arts’ scene. By providing an atmospheric space to create and sell for one evening, City Nights mashes the art of electronic music, visual art and the public.

Six artists, Sandi Hartling / John Dohe / Mauricio Aristizabal / Becka Viau / Chrissy Cerminara / Betty-Jo McCarville, and two DJ’s, Tim Kelly / Andrew Drake, participated in the event resulting in a night of incredible energy and creation. Sandi Hartling worked from a digital picture taken from the crowd while other media used included collage, pastel, painting and drawing.

Photo Credit: PJ Stephen - twitter.com/thepeej

 

City Nights is an ongoing program for members of this town is small. We welcome all artists, emerging and professional and will try to accommodate all mediums. No idea is too crazy for us to discuss!

City Nights will happen every two months! Sign up for the February Event Now!

If you are interested in playing music, modeling, or creating art at a City Nights event or becoming a member of this town is small please contact Becka at this.town.is.small@gmail.com

Photo Credit: PJ Stephen twitter.com/thepeej